Alan Sonfist könyvei és könyvek amik megjelentek a művészről

Adrian, Henri. Total Art: Environments, Happenings and Performance. Praeger, 1974.

Albertazzi, Liliana. Differentes Natures: Visions de l’Art Conemporain. Paris, France, 1993.

Alloway, Lawrence. Autobiography of Alan Sonfist. Ithica, New York: Herbert F. Jonson Museum of Art, 1975.

Alloway, Lawrence. Retrospective of Alan Sonfist. Boston Museum of Fine Arts, 1976.

Bach, Penny. Public Art in Philadelphia. Philadelphia, Temple University Press, 1992.

Bender, Richard. A Crack in the Rear View Mirror. New York: Van Nostrand Rheinhold, 1973.

Benthall, Jonathan. Science and Technology in Art Today. New York: Praeger Publishers, 1972.

Bijvoet, Marga. Art as Inquiry. University of Rotterdam: Netherlands 1994.

Braus, Heidberg, ed. Derbaum. Germany, 1986.

Brentano, Robyn and Mark Savitt, eds. 112 Workshop / 112 Greene Street, New York: New York University Press, 1981.

Brockhaus, Christoph. Das Jahrhundert Moderner Skulptur. Walther Konig: Koln, 2003.

Brockhaus, Christoph and Gottlieb Leinze. Skulpturen: Wilhelm Lehmbruck Museum Duisburg. Duisburg, Germany, 1991.

Burnham, Jack. Encyclopedia Britannica, Yearbook 1973. Chicago: University of Chicago Press, 1973.

Carson and Sky, eds. Unbuilt America. New York: McGraw Hill, 1976.

Davis, Douglas. Art and the Future. New York: Praeger Publishers, 1973. Fagone, Vittoio. Art in Nature. Italy: Mazzotta, 1996.

Fedele, Frank. The Artist’s Palate: Cooking with the World’s Great Artists. New York: DK Publishing, 2003.

Gelburd, Gail. Creative Solutions to Ecological Issues. New York: Council for Creative Projects, 1993.

Gori, Paulo, ed. Cerchi del Tempo, Fattoria Celle, 1990.

Gori, Paulo and C. Field, eds. Nature: The End of Art. London: Thames and Hudson, 2004.

Grande, John. Dialogos Arte-Naturaleza. Cesar Manrique: 2005.

Haberl, Horst. Art a1s a Living Ritual. Graz, Australia: Akademische Verlag Anstalt, 1974.

Hassemer, Volker. Art In Nature. Kultur Konzepte Sprengel  GmbH, 2000.

Heartney, Eleanor. History and the Landscape. University of Iowa Museum of Art, 1997.

Hobbs, Robert. Art in Arcadia. Torino,: Umberto Allemandi &C, 1994.

Horney, Leon. Art in Public Places. New York: Partners for Livable Spaces, 1981.

Jenkins, Sera. Images of Change, Volume II. St. Louis: Milliken Press, 1973.

Kastner, Jeff. Nature: Documents of Contemporary Art. MIT Press, 2012.

Kastner, Jeff. Land and Environmental Art. Phaidon Press, 2005.

Kepes, Gyorgy, ed. Arts of the Environment. New York: George Eraziller Inc, 1972.

Klite, Paul.  Reclamation Art. Denver, Colorado, 1985.

Lacy, Suzanne. Mapping the Terrain: New Genre Public Art, Bay Press, 1994. Art in Public Places, Partners for Livable Places, 1981.

Lindgren, Lusa, ed. Strata. Helsinki: The Museum of Contemporry Art, 1992.

Lippard, Lucy, ed. Overlay. New York: Pantheon Books, 1983.

Matilsky, Barbara C. Fragile Ecologies. New York: The Queens Museum of Art, 1992.

Midland, David. Artpak. University Press at Buffalo, New York, 1976.

Montag, Daro, ed. Artful Ecologies, Falmouth University Press, 2006 and 2008.

Naylor, Colin, ed. Contemporary Artists. London: Saint James Press, Inc., 1978.

Preble, Duane and Sarah. Artforms: An Introduction to the Visual Arts. New York: Harper & Row Publishers, 1985.

Roukes, Nicholas. Plastics for Kinetic Art. New York: Waston-Gubtill Publications, 1974.

Siri Johnson, Carol. Essays in Arts and Sciences. University of New Haven, 1991.

Sites, William and Kristine Stiles. Theories and Documents of Contemporary Art: A Sourcebook of Artists’ Writings. University of California Press: Berkley, 1996.

Sonfist. Alan ed. Art in the Land: A Critical Anthology of Environmental Art. Dutton, 1983.

Sonfist, Alan,  ed. Land Art. Tokyo,: Art Vivant, 1986.

Sorte, Gunnar Jarle. Parks for the Future.

Skira, Rosabianca, ed. Skira Annal. Switzerland, 1977.

Skira, Rosabianca, ed. Skira Annal. Switzerland, 1979.

Skira, Rosabianca, ed. Skira Annal. (Art of the Decade) Switzerland, 1980.

Sky, Allison,  ed. On Site, No. 4. New York: Site, Inc., 1973.

Smith, Edward Lucie. Art of the Seventies. London: Phaidon ress, 1980.

Smith, Valerie. Down the Garden Path: The Artist’s Garden After Modernism

Stuttgart. Nature-Sculpture. Germany, 1981.

Stara: Lother Baumgarten, Guillaume Bijil, , Alan Sonfist. Tampereen Taidemuseon julkaisu, 1992.

Taylor, Joshua C. The American Land. New York: W.W. Norton and o., 1979.

Thomas, Lewis. Lives of a Cell. New York: Viking Press, 1974.

Viatte, G. L’Art Contemporain et L’Axe Historique, Skira Epad, 1992.

Válogatott újságcikkek

“A Downtown Work of Art Series: Cityscape.” St. Petersburg Times, March 3, 1995. Anderson, Lincoln. “Time Landscape marks 20 years.” The Villager, April 29, 1998, p. 8 “Art Review at Newport: Into the Limelight.” Los Angeles Times, August 9 1994.

“Artists Seek to Heal the Wild.” The Boston Globe. March 16, 1994.

Atkins, Robert. “Fighting City Halls.” The Village Voice, April 26, 1988, p.99

Atkins, Robert. “Ants as Art.” New Yorker, March 4, 1972, p.30

Baker, Kenneth. “Boston: Earth, Air, Fire, Water.” Artforum, March 1971, p.72

Burmingham, Peter.  Treasures of the Arizona Museum. The Arizona Republic, 2 August 2002

Brenthall, Jonathan.”Haacke, Sonfist, and Nature.” Studio International, March, 1971, p.7

Brenthall, Jonathan. “Experimental Art: Stubbs to Sonfist.” Studio Intenational, July, 1971.

Brenson, Michael. “Art at Kever House, Environmental Works.” New York Times,  Weekend, March 1, 1985.

Brenson, Michael. “Alan Sonfist.” (review) New York Times, Friday July 13, 1990, p.

C23

Brenson, Michael. “City as Sculpture Garden: Seeing the New and Daring.” The New York Times, July 17, 1987.

Beyant, David. “Alan Sonfist and the Island of Paradise.” The Island Review, March 11th, 2013.

Bosetti, Von Petra. “Sein Thema isr die Natur” Aachener Nachrichten, March 26, 1977, p. 25

Burnett, W. Clyde. “Sonfist’s Monument.” The Atlanta Journal and Constitution, March 25 ,  1979

Cembalest, Robin. “The Ecological Art Explosion.” ArtNews cover story, Summer 1991, p. 96

Cyphess, Peggy. “New York in Review.” ArtsMagazine, p.114

Daniels, Bill. ìBig Apple Art.î The Post Standard/Herald-Journal, February 15, 2004

Davis, Douglas. “Breakthrough in Boston.” Newsweek, February 15, 1971, p. 90

Dietrich, R.V. “Rocks Depicted in Paintings and Sculptures.” Rocks and Minerals.

May/June 1990, pp. 224-236

Driscoll, Edgart. “Back to Nature.” ArtNews, September 1974, p. 81

“Environmental art Quietly Absorbing.” The Globe and Mail, January 29, 1998. Evett, Kenneth. “Death Wish.” New Republic, May 17, 1977, p. 31

“Evening Hours; The Look Turns Casual.” New York Times, September 4, 1994.

Esslinger, Carlin.  Fires Inspire Scorched Art Albuquerque Journal, 3 July 2002.

Foote, Nancy. “ Situation Esthetics.” Artforum, January 19, 1980, p. 22-29.

Foote, Nancy. “For Artist, Campus is the Canvas.” New York Times, Sunday, August 7, 1988.

“Fragile Ecologies: A Touch of Green.” Los Angeles Times, August 4, 1994.

Funke, Phyllis. “Science is Blended with Art in Display.” The New York Times, April 7, 1974.

Goldberg, Vicki.  A Garden of Sculpture as an Up-to-Date Eden The New York Times, July 11, 1999.

Gori, Giuliano. “ Living With Art: Skeletons, Stairways, and Thunderbolts.” ArtNews, January, 1991, p.75-78.

Glueck, Grace. “Art People.” New York Times, March 10, 1978.

Glueck, Grace. “Nature Boy,”  New York Times, November 15, 1970.

Glueck, Grace. “Out is in on Columbus Circle.” The New York Times, May 2, 1972.

Gnuter, Virginia. Art Transition. Boston: Massachusettes Institute of Technology Press, 1975.

Gollin, Jane. “Reviews and Previews.” ArtNews, December 1970, p. 62

Hackett, Regina. “Heavyweight Artists Discuss Public Works, Stress Collaboration.” The Seattle Times, May 20, 1991.

Hale, David. “Sonfist’s Art Leaves a Lasting Impression.” The Fresno Bee, Sunday, April 15 ,  1990.

Hale, David. “Patterns of Nature- Artist’s Theme is the Thread that Binds IndividualWorks.” Sunday, April 1, 1990.

Harrison, Helen. “Environmental Sculpture s by Alan Sonfist.” New York Times, April 8 1979.

Harrison, Helen. “Esthetics and Twigs.” Cue. February 2, 1979.

Hiss, Anthony. “Talk of the Town: Ants as Art.” New Yorker, March 4, 1972.

Hiss, Anthony. “ Talk of the Town: Yes and No.” New Yorker, May 1, 1978, p.31-34 Henry, Gerrit. “Alan sonfist at Ariadne.” Art in America, January-February 1976, p.102 Hobbs, Robert. Sculpture Magazine. December 1990-January 1991, p48-53.

Hopkins, John. “Polemics and Poetry Of Environmental Art.” International Herald Tribune, July 17, 1999

Hotchfield, Sylvia. “The Moral Rights (and Wrongs) of Public Art.” ArtNews, Vol. 87, No.5, May 1988, pp.143-146.

Hunter, Chris . “Artist Sows Seeds to Sculpt Environmental Statement.” The Palm Beach Daily News, Sunday, February 12, 1989.

Ikebana RYUSEI. May, 1984. NO. 289

Hunter, Chris. “International Land Artist Creates Latest Work at Penn State.” ArtNews, October 15, 1987.

Jacobs, J.  “Alan Sonfist.” Gourmet, December 1990.

Johnson, Carol. “The Narrative Landscapes of Alan Sonfist.”  The New York Historical Society, annual report for 1990, p .12-14.

Johnson, Carol. Landskap Magazine (Sweden), January 1990.

Johnson, Ken. “Nurturing Modernism with Spades, Water and Black Flowers.” The New York Times, July 29, 2005.

Kahn, Eve M.  “Gardens on display at a Soho Gallery.” New York Times, July 4, 1991.

Kastner, Jeff. “Nature The End of Art: Environmental Landscapes Alan Sonfist.” Cabinet Magazine, 2001.

Kaufman, Jason. “Primeval Forest for Tate in London” The Art Newspaper, May 2007

Kaufman, Bill. “Army on the Move Captured on Canvas.” Newsday, February 24, 1972.

Kimmelman, Michael. “In Westchester, Sculpture Meets Nature.” New York Times, February 4, 1971.

Kingsley, April. “Review of Landscape Exhibition.” Art Forum, Janurary, 1974, p. 6.

Kramer, Hilton. “Boston Museum Mounts an Unusual New Art.” New York Times, February 4, 1971.

Landi, Ann. “Separating the Trees from the Forest.” Art News, August 15th, 2011.

Lewis, Jo Ann. “Works by the Man Who Gave the Big Apple a Precolonial Forest.” The Washington Post, November 2, 1978.

Lieberman, Laura and Dan R. Talley. “Interview with Alan Sonfist.” Atlanta Art Newspaper, May/June 1979, p. 1-2.

Milani, Joanna. “Artist Draw on Past to Sculpt Future.” Tampa Tribune, March 4, 1995,

p.1.

Milani, Joanne. “Downtown Spaces Out.” Tampa Tribune, April 5, 1995, Baylife, p. 1-3.

McDonough, Michael. “The Artist as Johnny Applesees.” Metropolitan Home, March 1990.

McGuiness, Eric.  “On the trail of art and science; New York Artist has RBG Canvas.

The Hamilton Spectator, 14 November 2008

McKibben, Bill. “Art, Sweet Art: Adaptive, Hybrid and Flexible, EcoART Moves Hearts, Changes Minds and Ultimately Alters Behaviour.”   Grist Magazine, 2008.

Alternatives Journal, December 1, 2006.

Moore, Alan. “Sonfist’s Art.” Artforum, May 1975, p. 81.

Morgan, Anne Barclay. “Site.” Sculpture, April 1996, p. 12-13.

Nemser, Cindy. “Alchemist and Phenomenologist.” Art in America, March 1971, p. 100.

Nochlin, Linda. “Oh Say Can You See.” New York Times, December 2, 1973.

Parks, Cynthia. “Artist Uses Trees to Create Little Forest in City.” Arts and Travel Newspaper, Sunday, March 24, 1991.

O’Harra, John. “From Here to Eternity.”  Irish Times, 25 June 2005

“On the Aesthetic Appreciation of Japanese Gardens.” The British Journal of Aesthetics,

January 1, 1997 ìPark to Reflect City’s Personality.î St. Petersburg Times. November 8, 1993.

Pelts, Oksana.  “Visual Landmarks Series: TIME OUT.” St. Petersburg Times, 16 November 2000

Politi, Giancarlo. “Alan Sonfist.” Flash Art, December 1974/ January 1975, p. 46.

Preston, Malcomb. “Exploration of Space.” Newsday, March 29, 1979.

Quigley, Linda. “Sculpture Attempts to Preserve National Environment.” The Tennessean, Wednesday, November 29, 1980. P. 1F-2F.

Raynor, Vivien. “Weekend Reviews.” New York Times. June 18, 1982 (Ron Feldman exhibition; correction, June 21, 1982).

Raynor, Vivien. “From Twigs, Leaves and Mud, a Show of Landscape.” New York Times, July 14, 1991.

Robbins, Corrine. “Sonfist: Time as Aesthetic Dimension.” Arts Magazine, October 1976, p. 20-26.

Ross, John. “Urban Reaction to Nature.” Newsday, November 12, 1978.

Russell, John. “Alan Sonfist – Hemlock Forest.” New York Times, May 20, 1977.

Russell, John. “Autobiography of Time Landscape.” New York Times, October 22, 1976.

Saltz, Jerry. “Jerry Saltz on the New York Canon: Art.” Saatchi Gallery Daily Blog, April 21 ,  2008.

Sanada, Ikkan. “Alan Sonfist.” Contemporary Artists Review, (vol. 6) Summer 1992.

Schulze, Franz. “Art That’s Fresh Out of the Oven.” Chicago Tribune, March 9, 1972.

Schwendenwien, Jude. “Breaking Ground: Art in the Environment.” Sculpture, Sept.- October 1991.

Schwab, Cindy. “Alan Sonfist.” Arts Magazine, November 1979, p. 13.

“Seeds of New York” Cabinet Magazine of Art and Horticulture,  Spring 2002, p.92 Sedar, Alice. “La Defense choisit ses jardiniers.” Le Figaro, November 28, 1991.

Senie, Harriet. “Murals Make the Wall of the City.” New York Post, November 26, 1978.

“Shady Times in Story for Curtis Hixon Park.St. Petersburg Times, June 5, 1995.

Shaul, Sandra. “Projekt 74.” Arts Magazine, Fall, 1974, p. 42-43.

Sheraton, Mimi. “In the Village, 50-Year Affair for a walker Still in Love.” New York Times, January 10, 1997, p. C1.

“Silo Meets Satellite Dish in the New New England.” New York Times, September 4, 1998.

Slepard, Richard. “Ant Art.” New York Times, March 1, 1972.

Genocchio, Benjamin. “Digging In to Nurture Nature.”   The New York Times, 20 May 2007.

Kelley, Tina.  “Downtown Life, River to River.” The New York Times, 12 May 2000.

Smith, Roberta. “Art in Review.” The New York Times, October 11, 1991.

 Artforum International, 1 November 2005.

Stern, Ellen. “The Trees of the Forest.” New York, June 19, 1978.

Tannenbaum, Judith. “Alan Sonfist.” Arts Magazine, p.4.

Taylor, Robert. “Artist of the Whole Earth.” (cover) Boston Globe Sunday Magazine, Janurary 24, 1971.

Taylor, Robert. “Celebrating the Future with the Past.” Boston Sunday Globe, October 23, 1977.

Tucker, Jennifer. “Sanctuary for Artists.” (cover) Baylife, Saturday, Janurary 9, 1991. von Heinz, Thiel. “Natur-Kunst.” Kunstforum. February- March 1992, p. 23-36.

Walla, Joe. “Alan Sonfist.” Observations, April 1991.

Walla, Joe. “The Forest Itself is a Political Statement.” (front cover) New Observations, p. 19.

Walla, Joe. “Southhampton Setting Defines New Sonfist Sculpture.” Master Workshop Project, Southhampton Press, August 1988.

ArtNews (front cover) Summer 1991.

New Observations (front cover) January- February 1991.

Válogatott egyéni katalógusok

Alan Sonfist: History and the Landscape, 1997. The University of Iowa Museum of Art.

Alan Sonfist: Autobiography, April 1977. Neue Galerie/ Sammlung Ludwig, Aachen, Germany.

Natural Phnomenon as Public Monuments, 1976. Neuberger Museum of Art: New York, NY.

Autobiography of Alan Sonfist, 1975. Herbert F. Johnson Museum of Modern Art: New York, NY.

Autobiography of Alan Sonfist. 1977. Museum of Fine Arts: Boston, MA.

Válogatott katalógusok Sonfistról

A View of a Decade 1967-1977, 1977.  Museum of Contemporary Art, Chicago, IL.

Artpark: The Progam in Visual Arts, 1976. University Press at Buffalo, Buffalo, NY.

Documenta 6 [curator: Manfred Schneckenburger] , 1977. Kassel, Germany.

Down the Garden Path: The Artist’s Garden After Modernism, 2005. Queens Museum of Art, Queens New York, NY.

Earth, Air, Fire, Water: Elements of Art,  1971.  Museum of Fine Arts, Boston, MA.

Ecovention: Current Art to Transform Ecologies , 2002. The Contemporary Arts Center, Cincinnati, OH.

Land Marks: New Site Proposals by Twenty-Two Original Pioneers of Environmental Art, 1984. Bard College Center

Reasoned Space, 1980. Center for Creative Photography, University of Arizona

Sculpture Aspen 1990, Aspen Art Museum, Aspen Colorado

Urban Encounters: Art Architecture Audience, 1980. ICA, University of Pennsylvania

Creative Solutions to Ecological Issues, 1993 . Council of Creative Projects, Gail Gelburd